Last week, Daniel Atherton and Leslie Hurst from the National Trust gave us an wonderful tour of the gardens of Biddulph Grange (see Campbell’s post on the Egyptian garden here). Unfortunately, little information is available about the gardens as they were being created by the horticulturally-enthusiastic owners James and Maria Bateman (between 1840 and 1861). With the Head Gardener’s logbooks missing, the restoration of the garden has relied on other sources such as letters between Bateman, botanists and plant hunters, books logging out-going plants from specialist nurseries and descriptions from garden visitors.
The Leo Grindon Cultivated plants collection is full of specimens from notable gardens as well as a host of newspaper cuttings, magazine prints, notes and letters. With such a wealth of information, progress has been slow in documenting this collection, and so it remains an exciting treasure-trove of little-explored gems. I wondered whether there would be any references to Bateman or Biddulph Grange in the collection ….but where to start?
James Bateman is famous for his beautifully illustrated volumes on orchids, and sure enough, it wasn’t long before I uncovered some articles which Leo Grindon thought interesting enough to add into his ‘general Orchid’ selection.
This article from the Gardener’s Chronicle (Saturday, November 25th, 1871) is a biography of Bateman and his importance in the 19th century horticultural world. This quote caught my eye:
“Some of the effects, from a landscape gardener’s point of view, were strikingly beautiful, many quaint and grotesque. Had these latter been carried out by a person of less natural taste than Mr Bateman, they would have degenerated into the cockney style. In Mr Bateman’s case there was the less risk of this as, in addition to his own good taste and feeling for the appropriate, he was aided by Mr. E. W. Cooke, the eminent painter, and we may write, plant lover.”
….but I’m still not certain how complimentary this is! Another clipping touches on Bateman’s position in the debate between emerging scientific ideas and the Christian view of the creation of the earth. The geology gallery at Biddulph is a remarkable melding of Bateman’s religion with 19th century scientific discovery in stones and fossils (follow PalaeoManchester for more on this story).
Then there are a few cuttings covering James Bateman’s lectures giving summaries of the information he shared. These cuttings are typical of Leo Grindon’s collection as he rarely recorded the source of his material, or the date of publication. Presumably he was so familiar with the style of the various magazines and papers which he subscribed to that he never saw the need to write these details down.
These cuttings show that Leo Grindon was definitely following the work of James Bateman, but what of the gardens of Biddulph? For the next installment I think we shall have to move into another famous section of the garden, the Himalayan Glen, and delve into the herbarium’s Rhododendron folders to look for more clues.
To be continued……
There’s still time for one final post before it’s time to say goodbye to the Mallorca field course for another year. With two orchid fans on the staff, it’s not surprising that a good few hours each day were spent orchid spotting, but this year we had an up-and-coming orchid specialist amongst the students too. Head over to the FrogBlog to check out Tom’s thoughtful account of his Mallorcan orchid-hunting experiences.
The Passo Pura in the Carnic Alps was awash with summer flowers when we visited for our Field Course in Alpine Biodiversity and Forest Ecology in July. One interesting walk took us up this seasonal stream bed on the side of Monte Tinisi and rewarded us with some beautiful Lady’s Slipper Orchids (Cypripedium calceolus).
The flowers in the hot Italian sun were fading and drying up, but the plants in the shade were perfect.
I’d only ever seen this plant in cultivation before, so it was a treat to see it growing wild. In the UK it is very rare having been lost from many sites through 19th century collecting for the horticultural trade. The lady’s slipper orchid was thought extinct in the UK until a plant was found growing at one site in Yorkshire. This plant has been the focus for conservation and re-introduction programmes.
We also have pressed examples of this species in the herbarium collection and one sheet is on display in the Living Worlds gallery. This example was collected in the same area of the Carnic Alps in 1897 by James Cosmo Melville. He didn’t do a very good job of pressing the intricate 3D flowers, which is one reason why orchid flowers are often preserved in spirit collections.
This specimen collected from neighbouring Austria does a much better job of showing the structure of the flowers. However, the person who picked it also included the roots (not just examples of the leaves and flowers) which could have had consequences for the population of plants at that site. Like other orchids, germination needs the presence of a symbiotic fungus and the lady’s slipper orchid can take many years before it reaches flowering size.