Manchester 26-27th June. Kanaris lecture theatre, Manchester Museum
Science and natural history collections include objects, specimens, models and illustrations which are a goldmine of useful information and inspiration. They are immensely popular with the public, but are often cared for by non-specialists who can perceive them as difficult to work with. There is a danger that these collections can be forgotten, underused and undervalued.
Join us for this one and a half day conference looking at the innovative ways in which collections are being used. Speakers from historic collections across Europe will be joining us to discuss best practise in the use of scientific and natural history collections. We will be exploring ways to connect people to collections for greatest impact.
We have an interesting programme of talks from expert speakers in three sessions: ‘Connecting collections and breaking isolation’, ‘Reaching out to new audiences’ and ‘New meanings through art, history and research’.
Dr. Tim Boon, Science Museum Group. ‘Science Museum Group Research and the Interdisciplinary Culture of Collections’
Mark Carnall, Oxford University Museum of Natural History. ‘Not real, not worth it?’
Dr Caroline Cornish, Royal Holloway, University of London. ‘Useful or curious’? Reinventing Kew’s Museum of Economic Botany’
Jocelyn Dodd, University of Leicester. ‘Encountering the Unexpected: natural heritage collections & successful aging’
Prof. Dirk van Delft, Boerhaave Museum. ‘Real bones for teaching medicine’
Dr. Martha Flemming, V&A Museum. Title TBC
Dr Petra Tjitske Kalshoven, The University of Manchester. ‘The manikin in taxidermy: modelling conceptions of nature’.
Henry McGhie, Manchester Museum. ‘Beyond ‘natural history’: museums for the 21st century’
Dr. Laurens de Rooy, Museum Vrolik, Medical and natural history collections as historical objects: a change of perspective?
Dr. Marjan Scharloo, Teylers Museum. Title TBC
Dr. Cornelia Weber, Coordination Centre for Scientific University Collections in Germany. ‘Back to the Roots: University Collections as Infrastructure for Research and Teaching’
Prof. Yves Winkin, Musée des arts et métiers. ‘An amateur director, professional curators, and a desire for a cabinet of curiosities’
The conference is part of the programming to support Object Lessons, our upcoming exhibition celebrating the scientific model and illustration collection of George Loudon. Each of these finely crafted objects was created for the purpose of understanding the natural world through education, demonstration and display. This exhibition combines Loudon’s collection with models from Manchester Museum and World Museum, Liverpool. The conference is generously supported by Wellcome. Book your place on mcrmuseum.eventbrite.com or call 0161 275 2648.
For the past few months I’ve been working on a really exciting exhibition opening on the 20th of May: Object Lessons #MMObjectLessons Object Lessons celebrates the scientific model and illustration collection of George Loudon. Each of these finely crafted objects was created for the purpose of understanding the natural world through education, demonstration and display. […]
Putting away some specimens in the herbarium last week I noticed a folder labelled Nat. Ord. CLXXIV Amaryllaceae GENUS 8. Galanthus.
Unfortunately pressed flowers rarely keep their natural colours, and snowdrops are no exception – even though their petals are white. The flowers turn brown and the leaves darken too.
Our cultivated collection also includes illustrations. Below is a colour illustraion of ‘Eight kinds of Snowdrops’ from The Garden, dated 23 January 1885:
A short article in The Garden (no date, probably around 1886) by F. W. Burbidge begins, ‘THE GIANT SNOWDROPS. One of the minor miseries of my life is having to live in a garden containing thirty distinct kinds of Snowdrops, and not being able to boast of possessing Galanthus fosteri, the “giantest”, and so far, the most to be desired of them all. Still, I live in hopes, since we are told that, “all things come to those who know how to wait”.’
Burbidge goes on to describe the species and varieties of snowdrop giants in his garden. He concludes, ‘I hope all the readers of these notes who have distinct Snowdrops in their collections … will be so good as to tell us of them, since there are now a good many of us deeply and seriously interested in these pearls of the opening year’.
Another delightful little piece about the average flowering dates of snowdrops (probably dated around 1880 to 1890):