A blog post from Hannah with the help of Rachel Webster, Campbell Price, Irit Narkiss and Emma Horridge At the end of January, a group of staff from across the Museum visited Derby to find out more about how Derby Museums have been working to put people and communities at the heart of their museum. […]
A guest blog post from Hannah, Learning Manager, on our upcoming collaborative PhD that is part of the Courtyard Project at Manchester Museum:
The Courtyard Project is a great opportunity for us to reflect on, research and develop our work, and as part of this, we are keen to gain a better understanding of the impacts of cultural engagement on our audiences. In spite of our best efforts, we often to struggle to get to grips with the impact of our work and tend to rely on teacher feedback, questionnaires and anecdotal evidence. Take, for example, our work with young children; we know that young children benefit from visiting the Museum because teachers and practitioners tell us this, but precisely how young children benefit, how long such benefits actually last, and whether there are knock-on effects for caregivers or teachers are questions that have tended to be beyond our capacity…
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By Patricia Francis Christmas gift tags from Gallery Oldham collection. The Winter Solstice has been celebrated in many cultures for thousands of years. In our northern latitudes evergreens show how life continues even in the depths of winter. In pre-Christian times evergreen boughs were hung in winter to encourage the return of the sun gods.…
Thank you for a great summary of the role of curator. Now we have something to direct people to when they ask!
Working as a curator in a museum is an odd job. It is the best job on the planet. But it is like no other I know of. There are an enormous range of daily tasks a curator carries out, and these are not without their quirks. Here are a few oddities museum curators deal with regularly:
Curators are not Indiana Jones
I’ve written about this before in more detail, but no, we are not Indiana Jones. When we introduce ourselves to new people, the response is sometimes ‘oh, just like Indiana Jones.’ This is a common misconception, albeit a rather flattering one. We do see some dangerous action in the field: dozens of beetles and flies on family friendly bug hunts, slipping on jagged rocks when rock pooling. However, some,many, most do not have whips under their beds. Curators do not steal ancient relics from temples (there are laws…
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Manchester Museum director, Nick Merriman, taking the White Privilege test at the Museums Association Manchester Conference 2017. This very popular stall was one of the brilliant activities on offer as part of the Festival of Change; helping museum professionals grapple with serious issues through creative interventions.
We had a great time at the Museums Association conference in Manchester, where our intervention won ‘best product’. Watch Nick Merriman from Manchester Museum talk to our activist Cherelle:
For the past few weeks I have been back at the herbarium returning the materia medica collection to their cupboards following work undertaken by estates.
This project is somewhat reminiscent of my placement year over two years ago at the herbarium when I photographed, databased and organised the collection into their current system.
The materia medica collection at the Manchester Museum contains over 800 specimens of plants, animals and minerals that were used for medicinal purposes. It dates from the latter half of the nineteenth century and was originally used as a teaching tool for medical and pharmacy students at Owens College.
Following the 1858 Medical Act, anyone wishing to be a practicing physician first had to be included on the medical register. This required them to pass at least one of the qualifications recognised by the General Medical Council – such as those by the Royal College of Physicians – and the majority of these involved some form of examination into materia medica. As such, materia medica was an essential subject for any medical student during the nineteenth century.
The role of the materia medica collection as a teaching resource, therefore, meant that it was a vital part of medical education at Owens College. This was particularly evident given that the collection at the time had its own dedicated museum at the medical school!
The building that housed this museum no longer exists so the collection no longer has its own museum, but instead resides in the tower of the Manchester Museum as part of the herbarium.
A trip to the Paris herbarium in the Jardin des Plantes, Paris.
I was given a guided tour of the Paris herbarium by Marc Jeanson: 8 million specimens, fully imaged and sorted into APG III order. Citizen science project Les Herbonautes encourages volunteers to catalogue the collection online photos.
Grandes Serres (Greenhouses) contain drought tolerant and tropical plants:
Systematic beds, alpine garden and historic trees
Gallery of Botany: