Manchester 26-27th June. Kanaris lecture theatre, Manchester Museum
Science and natural history collections include objects, specimens, models and illustrations which are a goldmine of useful information and inspiration. They are immensely popular with the public, but are often cared for by non-specialists who can perceive them as difficult to work with. There is a danger that these collections can be forgotten, underused and undervalued.
Join us for this one and a half day conference looking at the innovative ways in which collections are being used. Speakers from historic collections across Europe will be joining us to discuss best practise in the use of scientific and natural history collections. We will be exploring ways to connect people to collections for greatest impact.
We have an interesting programme of talks from expert speakers in three sessions: ‘Connecting collections and breaking isolation’, ‘Reaching out to new audiences’ and ‘New meanings through art, history and research’.
Dr. Tim Boon, Science Museum Group. ‘Science Museum Group Research and the Interdisciplinary Culture of Collections’
Mark Carnall, Oxford University Museum of Natural History. ‘Not real, not worth it?’
Dr Caroline Cornish, Royal Holloway, University of London. ‘Useful or curious’? Reinventing Kew’s Museum of Economic Botany’
Jocelyn Dodd, University of Leicester. ‘Encountering the Unexpected: natural heritage collections & successful aging’
Prof. Dirk van Delft, Boerhaave Museum. ‘Real bones for teaching medicine’
Dr. Martha Flemming, V&A Museum. Title TBC
Dr Petra Tjitske Kalshoven, The University of Manchester. ‘The manikin in taxidermy: modelling conceptions of nature’.
Henry McGhie, Manchester Museum. ‘Beyond ‘natural history’: museums for the 21st century’
Dr. Laurens de Rooy, Museum Vrolik, Medical and natural history collections as historical objects: a change of perspective?
Dr. Marjan Scharloo, Teylers Museum. Title TBC
Dr. Cornelia Weber, Coordination Centre for Scientific University Collections in Germany. ‘Back to the Roots: University Collections as Infrastructure for Research and Teaching’
Prof. Yves Winkin, Musée des arts et métiers. ‘An amateur director, professional curators, and a desire for a cabinet of curiosities’
The conference is part of the programming to support Object Lessons, our upcoming exhibition celebrating the scientific model and illustration collection of George Loudon. Each of these finely crafted objects was created for the purpose of understanding the natural world through education, demonstration and display. This exhibition combines Loudon’s collection with models from Manchester Museum and World Museum, Liverpool. The conference is generously supported by Wellcome. Book your place on mcrmuseum.eventbrite.com or call 0161 275 2648.
All the curators have been out and about over half term, in Manchester and beyond! We’re helping to spread the word about our new museum development plans. We want to hear what people think about our plans to build an extension to the Manchester Museum. It will house a new permanent gallery focusing on the history and culture of South Asia as well as a new exhibition space for host blockbuster shows. If you want to find out more, keep track of our progress on our Courtyard Project blog.
The Museum’s plans for consultation for our HLF funded Courtyard Project are really stepping up now, with our first weekend of public consultation about to take place. We’ve been working hard on structuring the questions we want to ask people and creative ways to engage regular visitors and non-visitors in conversations about our redevelopment – […]
By Berglind Kristjansdottir
The Herbarium has a lot of specimens collected by Joseph Dalton Hooker (f. 1817, d. 1911). Most of them are from his expedition to India were he collected plants in and around the Himalayas.
Sir Joseph Dalton Hooker and his Exploration of Nepal and Sikkim
Sir Joseph Dalton Hooker was born in Halesworth, Suffolk in 1817. He spent his childhood in Glasgow were he helped his father with his herbarium which nurtured his keen interest in plants. Later in his life he would become one of the key scientists of his age and the most important botanist of the nineteenth century.
Hooker was only 15 years old when he entered the Glasgow University to study medicine. There he met Charles Darwin, who became one of his closest friends, and Captain James Clark Ross. Ross was about to lead a British Association expedition to the Antarctic and Hooker was determined to join. His father helped his 22 year old son to get the position of assistant ship’s doctor and botanist. On 28 September 1839 Hooker sailed out of the Medway and didn’t return until four years later. During the trip he was able to botanize on three continents as the ship visited Madeira, the Cape of Good Hope, Tasmania, New Zealand, Australia, the Falkland Island and the Southern tip of South America. His discoveries led to the foundation for his authority on the geographical distribution of plants, which later would prove vital to Darwin and his theory of evolution.
When Hooker came back to England in 1841 he was determined to make a study of tropical botany to compare to the Antarctic and on 11 November 1847 he left for a two year plant hunting trip to Sikkim on behalf of Kew. He arrived at Darjeeling on 16 April 1848. Hooker wanted to travel to Sikkim’s high mountain passes but to do that he needed permission from the Rajah. It took Hooker almost a year to get Sikkimese authorities to approve his application and on 27 October 1848 he was finally able to set out for Sikkim with his party of fifty-five men. The trip to the passes wasn’t easy. There were no proper roads to follow and they had to travel by foot. As winter approached the conditions deteriorated. The expedition got more and more dangerous and Hooker and his party had various complications on the way like imprisonment by the Dewan of Sikkim and lack of supplies and food.
The Himalayan expedition took Hooker three years and made him the first European to collect plants in the Himalaya. He collected a lot of important and special plants while he was there but the discovery and introduction into English gardens of the numerous and gorgeous Sikkim Rhododendron was certainly one of his greatest achievements. Out of forty-three species he collected thirty who were considered new to botanists, and most of the others were yet unknown to them.
Rhododendrons of the Sikkim-Himalaya
In May 1848 Hooker first experienced the excitement of discovering a new rhododendron. He found the ivory-white-flowered Rhododendron grande (R. argenteum) at the top of Mt Sinchul south east of Darjeeling. In his book Himalayan Journals Hooker described this plant as a:
“…tree forty feet high, with magnificent leaves twelve to fifteen inches long, deep green, wrinkled above and silvery below, while the flowers are as large as those of R. Dalhousie and grow more in a cluster. I know nothing of the kind that exceeds in beauty the flowering branch of R. argenteum, with its wide spreading foliage and glorious mass of flowers” (Hooker, 2016).
Later in May when he was in Mt Tonglo he found Rhododendron falconeri which has reddish bark and beautiful bell-shaped yellow flowers. Hooker described it as:
“…in point of foliage the most superb of all the Himalayan species, with trunks thirty feet high, and branches bearing at their ends only leaves eighteen inches long: these are deep green above, and covered beneath with a rich brown down” (Hooker, 2016).
In the Yangma valley at the Yangma Pass (16,168ft) he found the graceful Rhododendron campylocarpum. In the book Rhododendrons of the Sikkim-Himalaya (1849-1851) Hooker described the plant as:
“A small bush, averaging six feet in height, rounded in form, of a bright cheerful green hue, and which, when loaded with its inflorescence of surpassing delicacy and grace, claims precedence over its more gaudy congeners, and has always been regarded by me as the most charming of the Sikkim Rhododendrons” (Hooker, 1849).
Rhododendron maddeni is one of the “original” rhododendrons first introduced from the Himalaya by Hooker in the mid-1800s. It was named for Lt.-Col. E. Madden, a member of the Bengal Civil Service. In Rhododendrons of the Sikkim-Himalaya Hooker wrote:
“I do myself the pleasure to name this truly superb plant in compliment to Major Madden of the Bengal Civil Service, a good and accomplished botanist, to whose learned memoirs on the plants of the temperate and tropical zones of North-west Himalaya, the reader may be referred for an excellent account of the vegetation of those regions. The same gentleman’s paper on the Coniferae of the north of India may be quoted as a model of its kind” (Hooker, 1849).
Rhododendron arboreum is an evergreen shrub or small tree with a showy display of bright red flowers. It is found in Bhutan, China, India, Myanmar, Nepal, Sri Lanka and Thailand. Rhododendron arboreum is the national flower of Nepal and in India it is the state tree of Uttarakhand and state flower of Himachal Pradesh and Nagaland. R. arboreum was first of the Indian Rhododendrons to be discovered. In Rhododendrons of the Sikkim-Himalaya it says:
“Towards the very close of the 18th century, namely in 1700, R. arboreum, the first of a new form and aspect of the genus, and peculiar to the lofty mountains of India Proper, was discovered by Captain Hardwicke, in the Sewalic chain of the Himalaya, while he was on a tour to Sireenagur. The species has since been found to have a very extended range” (Hooker, 1849).
Desmond, R. (1990). Sir Joseph Dalton Hooker Traveller and Plant Collector. Woodbridge, Suffolk: The Antique Collectors’ Club.
Hooker, J. D. (1849). Rhododendrons of the Sikkim-Himalaya. London: Reeve, Benham, and Reeve.
Hooker, J. D. (2016). Himalayan Journals (first published 1854). Oxon: Routledge.
Musgrave, T. Gardner, C & Musgrave, W. (1998). The Plant Hunters. London: Ward Lock.
The Museum staff – all a bit giddy in the garden after an intensive afternoon discussing our courtyard project.
And so we begin….to kick off four years of redevelopment, we had an all staff half day on Monday 6th June. It was a jam-packed afternoon of activities, led by our Director Nick Merriman, setting the scene for the Courtyard Project and getting everyone up to speed on where we are now and what we are planning for the future.
Susie from Modern Designers then took over for a great session on branding, which helped us to think about what makes a successful brand and how we currently communicate about the Museum.
Henry (our Head of Collections) and I then led an activity – based on some excellent work done by Common Cause Foundation – that explored what our personal values are and also the values we think our visitors associate with the Museum. It was a really insightful piece of work that helped us to capture the variety of…
View original post 133 more words
Exciting changes ahead for Manchester Museum….
Manchester Museum, part of The University of Manchester, has received initial support from the Heritage Lottery Fund (HLF) for its Courtyard Project. The project will transform the Museum with a major two-storey extension, a new main entrance, and much-improved visitor facilities inspired by a new ethos of a ‘museum for life.’
Manchester Museum – possible perspective render
Work will commence in May 2018 and the finished building will reopen in early 2020. Development funding of £406,400 has been awarded to help Manchester Museum progress its plans to apply for a full grant at a later date.
The Courtyard extension will create a major new Temporary Exhibitions Gallery, providing almost three times as much space as the Museum currently has for temporary and touring shows. The new facility will enable the Museum to become one of the North of England’s leading venues for producing and hosting international-quality exhibitions on human cultures…
View original post 284 more words
My name is Megan Jones I’m a university student studying contemporary photography. My current project was inspired by the Herbarium section at the museum I was lucky enough to go behind the scenes looking at the huge collections they have stored there. I personally felt inspired by the patterns and detail in the pressed plants and flowers we were shown, I decided it was something I wanted to explore more so I re visited the museum with the help from Lindsey I routed through a box of ferns collected from all over the world and started photographing them close up using different angles and focal lengths. Another part of my project I am working on is experimenting with pressing plants myself and working with these in the dark room to create phonograms this is something that has all stemmed from being so inspired at the museum towards the end of my project I hope to gather all these mixed media images together into a book filled with patterns created by plants and flowers.
Here are some images from my project so far I’m looking forward to re visiting the museum and completing my project, keep checking the blog to see an update on my work!
Thanks for reading Megan Jones