I was wrapping up a particularly difficult male peacock with a helper a few weeks ago and we were discussing natural science collections. “Do you think one day they’ll just be made illegal?” she asked, straight-faced and sincere. I was miffed – this was someone saying to a natural science curator that really, it shouldn’t be allowed. I sighed and spent the rest of the wrapping session (porcupine was also tricky) explaining how wonderful – and legal – natural science collections are.
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For the past few months I’ve been working on a really exciting exhibition opening on the 20th of May: Object Lessons #MMObjectLessons Object Lessons celebrates the scientific model and illustration collection of George Loudon. Each of these finely crafted objects was created for the purpose of understanding the natural world through education, demonstration and display. […]
Hi I’m Megan Jones current student, I previously posted about a project where I was granted access to photograph a section of the extensive herbarium collection at the museum. https://herbologymanchester.wordpress.com/2016/03/29/contemporary-photography-ferns/ As promised I have an update on the project now it has come to an end, after visiting the museum I took my images and wanted to experiment more with them.
I decided to experiment with screen printing for those who aren’t aware of this process, your image is transferred onto a ‘screen’ you then place a piece of paper underneath the screen placing ink at the top of the screen you spread the ink across the screen and this causes the ink to be pushed through creating a copy of your image on to the paper. I repeated this with all of the most successful images from my visit at the museum until I had a great collection, I then bound these into a handmade book using a long stitch wrap around style. Included in this book was my images once they had been processed with the screen printing technique and also some information on global warming as this was the theme at the museum during my visits, I felt it necessary to include some information in the finished project as this is where my inspiration seemed from at the start.
Thank you for taking the time to catch up on the development of my project.
By Berglind Kristjansdottir
The Herbarium has a lot of specimens collected by Joseph Dalton Hooker (f. 1817, d. 1911). Most of them are from his expedition to India were he collected plants in and around the Himalayas.
Sir Joseph Dalton Hooker and his Exploration of Nepal and Sikkim
Sir Joseph Dalton Hooker was born in Halesworth, Suffolk in 1817. He spent his childhood in Glasgow were he helped his father with his herbarium which nurtured his keen interest in plants. Later in his life he would become one of the key scientists of his age and the most important botanist of the nineteenth century.
Hooker was only 15 years old when he entered the Glasgow University to study medicine. There he met Charles Darwin, who became one of his closest friends, and Captain James Clark Ross. Ross was about to lead a British Association expedition to the Antarctic and Hooker was determined to join. His father helped his 22 year old son to get the position of assistant ship’s doctor and botanist. On 28 September 1839 Hooker sailed out of the Medway and didn’t return until four years later. During the trip he was able to botanize on three continents as the ship visited Madeira, the Cape of Good Hope, Tasmania, New Zealand, Australia, the Falkland Island and the Southern tip of South America. His discoveries led to the foundation for his authority on the geographical distribution of plants, which later would prove vital to Darwin and his theory of evolution.
When Hooker came back to England in 1841 he was determined to make a study of tropical botany to compare to the Antarctic and on 11 November 1847 he left for a two year plant hunting trip to Sikkim on behalf of Kew. He arrived at Darjeeling on 16 April 1848. Hooker wanted to travel to Sikkim’s high mountain passes but to do that he needed permission from the Rajah. It took Hooker almost a year to get Sikkimese authorities to approve his application and on 27 October 1848 he was finally able to set out for Sikkim with his party of fifty-five men. The trip to the passes wasn’t easy. There were no proper roads to follow and they had to travel by foot. As winter approached the conditions deteriorated. The expedition got more and more dangerous and Hooker and his party had various complications on the way like imprisonment by the Dewan of Sikkim and lack of supplies and food.
The Himalayan expedition took Hooker three years and made him the first European to collect plants in the Himalaya. He collected a lot of important and special plants while he was there but the discovery and introduction into English gardens of the numerous and gorgeous Sikkim Rhododendron was certainly one of his greatest achievements. Out of forty-three species he collected thirty who were considered new to botanists, and most of the others were yet unknown to them.
Rhododendrons of the Sikkim-Himalaya
In May 1848 Hooker first experienced the excitement of discovering a new rhododendron. He found the ivory-white-flowered Rhododendron grande (R. argenteum) at the top of Mt Sinchul south east of Darjeeling. In his book Himalayan Journals Hooker described this plant as a:
“…tree forty feet high, with magnificent leaves twelve to fifteen inches long, deep green, wrinkled above and silvery below, while the flowers are as large as those of R. Dalhousie and grow more in a cluster. I know nothing of the kind that exceeds in beauty the flowering branch of R. argenteum, with its wide spreading foliage and glorious mass of flowers” (Hooker, 2016).
Later in May when he was in Mt Tonglo he found Rhododendron falconeri which has reddish bark and beautiful bell-shaped yellow flowers. Hooker described it as:
“…in point of foliage the most superb of all the Himalayan species, with trunks thirty feet high, and branches bearing at their ends only leaves eighteen inches long: these are deep green above, and covered beneath with a rich brown down” (Hooker, 2016).
In the Yangma valley at the Yangma Pass (16,168ft) he found the graceful Rhododendron campylocarpum. In the book Rhododendrons of the Sikkim-Himalaya (1849-1851) Hooker described the plant as:
“A small bush, averaging six feet in height, rounded in form, of a bright cheerful green hue, and which, when loaded with its inflorescence of surpassing delicacy and grace, claims precedence over its more gaudy congeners, and has always been regarded by me as the most charming of the Sikkim Rhododendrons” (Hooker, 1849).
Rhododendron maddeni is one of the “original” rhododendrons first introduced from the Himalaya by Hooker in the mid-1800s. It was named for Lt.-Col. E. Madden, a member of the Bengal Civil Service. In Rhododendrons of the Sikkim-Himalaya Hooker wrote:
“I do myself the pleasure to name this truly superb plant in compliment to Major Madden of the Bengal Civil Service, a good and accomplished botanist, to whose learned memoirs on the plants of the temperate and tropical zones of North-west Himalaya, the reader may be referred for an excellent account of the vegetation of those regions. The same gentleman’s paper on the Coniferae of the north of India may be quoted as a model of its kind” (Hooker, 1849).
Rhododendron arboreum is an evergreen shrub or small tree with a showy display of bright red flowers. It is found in Bhutan, China, India, Myanmar, Nepal, Sri Lanka and Thailand. Rhododendron arboreum is the national flower of Nepal and in India it is the state tree of Uttarakhand and state flower of Himachal Pradesh and Nagaland. R. arboreum was first of the Indian Rhododendrons to be discovered. In Rhododendrons of the Sikkim-Himalaya it says:
“Towards the very close of the 18th century, namely in 1700, R. arboreum, the first of a new form and aspect of the genus, and peculiar to the lofty mountains of India Proper, was discovered by Captain Hardwicke, in the Sewalic chain of the Himalaya, while he was on a tour to Sireenagur. The species has since been found to have a very extended range” (Hooker, 1849).
Desmond, R. (1990). Sir Joseph Dalton Hooker Traveller and Plant Collector. Woodbridge, Suffolk: The Antique Collectors’ Club.
Hooker, J. D. (1849). Rhododendrons of the Sikkim-Himalaya. London: Reeve, Benham, and Reeve.
Hooker, J. D. (2016). Himalayan Journals (first published 1854). Oxon: Routledge.
Musgrave, T. Gardner, C & Musgrave, W. (1998). The Plant Hunters. London: Ward Lock.
Last week, Daniel Atherton and Leslie Hurst from the National Trust gave us an wonderful tour of the gardens of Biddulph Grange (see Campbell’s post on the Egyptian garden here). Unfortunately, little information is available about the gardens as they were being created by the horticulturally-enthusiastic owners James and Maria Bateman (between 1840 and 1861). With the Head Gardener’s logbooks missing, the restoration of the garden has relied on other sources such as letters between Bateman, botanists and plant hunters, books logging out-going plants from specialist nurseries and descriptions from garden visitors.
The Leo Grindon Cultivated plants collection is full of specimens from notable gardens as well as a host of newspaper cuttings, magazine prints, notes and letters. With such a wealth of information, progress has been slow in documenting this collection, and so it remains an exciting treasure-trove of little-explored gems. I wondered whether there would be any references to Bateman or Biddulph Grange in the collection ….but where to start?
James Bateman is famous for his beautifully illustrated volumes on orchids, and sure enough, it wasn’t long before I uncovered some articles which Leo Grindon thought interesting enough to add into his ‘general Orchid’ selection.
This article from the Gardener’s Chronicle (Saturday, November 25th, 1871) is a biography of Bateman and his importance in the 19th century horticultural world. This quote caught my eye:
“Some of the effects, from a landscape gardener’s point of view, were strikingly beautiful, many quaint and grotesque. Had these latter been carried out by a person of less natural taste than Mr Bateman, they would have degenerated into the cockney style. In Mr Bateman’s case there was the less risk of this as, in addition to his own good taste and feeling for the appropriate, he was aided by Mr. E. W. Cooke, the eminent painter, and we may write, plant lover.”
….but I’m still not certain how complimentary this is! Another clipping touches on Bateman’s position in the debate between emerging scientific ideas and the Christian view of the creation of the earth. The geology gallery at Biddulph is a remarkable melding of Bateman’s religion with 19th century scientific discovery in stones and fossils (follow PalaeoManchester for more on this story).
Then there are a few cuttings covering James Bateman’s lectures giving summaries of the information he shared. These cuttings are typical of Leo Grindon’s collection as he rarely recorded the source of his material, or the date of publication. Presumably he was so familiar with the style of the various magazines and papers which he subscribed to that he never saw the need to write these details down.
These cuttings show that Leo Grindon was definitely following the work of James Bateman, but what of the gardens of Biddulph? For the next installment I think we shall have to move into another famous section of the garden, the Himalayan Glen, and delve into the herbarium’s Rhododendron folders to look for more clues.
To be continued……
For many years the students on the Comparative and Adaptive Biology field course in Mallorca have visited the strandline and salt marsh plant communities at the Albufereta Nature Reserve on the Bay of Pollença. This year, however, we went for a tour of the S’Albufera wetland (a Ramsar protected site of international importance) by Gaspar, one of the team who manages the reserve. The reserve has been protected since 1988 and is surrounded by the coastal tourist resorts and inland agricultural lands.
The land around the Bay of Alcudia is naturally marshy, with water from the seasonal rivers (torrents) held back by the sand bars at the coast. However, the marsh isn’t entirely fresh, but is brackish and salty in places as seawater infiltrates the sand to saturate the land behind. This winter was drier than average, leading to the marsh being saltier than usual for so early in the year. In the 19th century, the British civil engineer John Frederick Bateman carried out work to drain the marsh for agriculture, creating the infrastructure which is still visible today – a network of canals, ditches, bridges and old pumping houses. More recently the focus has been on retaining the water and so sluice gates have been added to maintain the wetland habitat for wildfowl. The reserve is a carefully managed mosaic of old reedbeds (dominated by Phragmites australis), open waters, scrapes and salt marsh. Horses are particularly important for managing the more open environments, keeping the reeds in check.
The human population around the reserve around 60,000, but over the summer season this can triple with the arrival of holidaymakers seeking some Mediterranean sun. This places a huge increase in demand for drinking water and wastewater treatment over the driest months in the Mediterranean. It is at these times when the reserve is at its most vulnerable from pollution (e.g. nitrates escaping from water treatment works) without the potential for a diluting influx of freshwater.
The wetland is used by some bird species all year round and by others who use it as a staging post on their migrations. With the background soundtrack provided by Cetti’s warblers, we watched black-winged stilts, avocets, egrets, a kingfisher, shelducks, crested coots and an osprey. Still, the zoological highlight happened later in the day as the flamingos treated us to a fly-by on the beach.
My name is Megan Jones I’m a university student studying contemporary photography. My current project was inspired by the Herbarium section at the museum I was lucky enough to go behind the scenes looking at the huge collections they have stored there. I personally felt inspired by the patterns and detail in the pressed plants and flowers we were shown, I decided it was something I wanted to explore more so I re visited the museum with the help from Lindsey I routed through a box of ferns collected from all over the world and started photographing them close up using different angles and focal lengths. Another part of my project I am working on is experimenting with pressing plants myself and working with these in the dark room to create phonograms this is something that has all stemmed from being so inspired at the museum towards the end of my project I hope to gather all these mixed media images together into a book filled with patterns created by plants and flowers.
Here are some images from my project so far I’m looking forward to re visiting the museum and completing my project, keep checking the blog to see an update on my work!
Thanks for reading Megan Jones